October 23, 2018 2018-10-16T13:44:28+00:00

October 23, 2018

Sandbox Percussion

Lauded “jaw-dropping virtuosity” by the Washington Post, the award-winning percussion quartet makes its Chattanooga debut with a weeklong residency of concerts and community outreach.

Program
CACCESE Bell Patterns
AKIHO Pillar IV
BACH Largo from Keyboard Concerto No. 5 in f minor, BWV 1056
CROWELL Music for Percussion Quartet
AKIHO Haiku 2
REICH Mallet Quartet

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Sandbox Percussion

Lauded by The Washington Post as “revitalizing the world of contemporary music” with “jaw- dropping virtuosity,” Sandbox Percussion has established themselves as a leading proponent in this generation of contemporary percussion chamber music. Brought together by their love of chamber music and the simple joy of playing together, Sandbox Percussion captivates audiences with performances that are both visually and aurally stunning. Through compelling collaborations with composers and performers, Jonathan Allen, Victor Caccese, Ian Rosenbaum and Terry Sweeney seek to engage a wider audience for classical music.

Last season Sandbox Percussion presented 35 performances throughout the United States. During a tour through California they gave the world premiere of  Thomas Kotcheff’s percussion quartet not only that one but that one & that too, and were presented on the Festival of New American Music in Sacramento, CA. In collaboration with Ensemble HOWL they gave the world premiere of Amy Beth Kirsten’s Quixote at Montclair State University’s Peak Performances concert series. During the American Music Festival at the Experimental Media and Performing Arts Center (EMPAC) in Troy, NY, Sandbox gave the world premiere of a concerto by Viet Cuong entitled Re(new)al along with the Albany Symphony. During the festival they also gave a recital which featured works by American composers Steve Reich, Christopher Cerrone, and David Crowell.

In addition to keeping a busy concert schedule Sandbox has also participated in various masterclasses and coachings at schools such as the Peabody Conservatory, Curtis Institute, the University of Southern California, Kansas University, Cornell University, and Furman University. While there they coached students on some of the most pivotal works in the percussion repertoire including Steve Reich’s Drumming, György Ligeti’s, Síppal, dobbal, nádihegedüvel and John Cage’s Third Construction. These teaching experiences have inspired the quartet to pursue a role of pedagogy and mentorship for today’s young generation of musicians. This season Sandbox Percussion will present the third annual NYU Sandbox Percussion Seminar. This week long seminar invites percussion students from across the globe to rehearse and perform some of today’s leading percussion chamber music repertoire. A culminating performance is held at the iconic Brooklyn venue, National Sawdust.

Most recently has marked the quartet’s growing interest in composition. Last season Jonathan Allen’s Sonata and Victor Caccese’s A Part, Apart were featured on ten separate programs throughout the U.S. Sandbox also worked closely with composer David Crowell on a marimba arrangement of his saxophone sextet, Point Reyes. They gave the world premiere in November 2014 in Brooklyn, NY.

This season Sandbox will collaborate with The Industry, an opera company in Los Angeles, for the world premiere of Galileo, a 90-minute theatre piece by Andy Akiho. Other highlights will include a performance of Jerome Begin’s Wilderness in collaboration with the Brian Brooks Moving Company at Choregus Productions in Tulsa, OK, the first ever percussion quartet concert at the Cosmos Club in Washington, DC, a performance of Gyorgy Ligeti’s Síppal, dobbal, nádihegedüvel with mezzo-soprano Elspeth Davis at the Percussion Arts Society International Convention in Indianapolis, IN, and a second west coast tour including 11 performances from Seattle to Los Angeles. Sandbox Percussion endorses Pearl/Adams musical instruments, Vic Firth drumsticks and Remo drumheads.

Fred Child

Fred Child is the host of APM’s Performance Today, the most-listened-to classical music radio show in America. Fred is also the commentator and announcer for Live from Lincoln Center, the only live performing arts series on television. And he’s co-host of Carnegie Hall Live, an annual series of a dozen live national radio broadcasts from America’s premier musical venue.

Fred also appears at classical music festivals and events around the country, from PT’s annual residency at the Aspen Music Festival and School, to special events at the Savannah Music festival, Marlboro Music, the Spoleto Festival USA, Summerfest La Jolla and many more.

Beyond the world of classical music, Fred hosted NPR’s innovative “Creators@Carnegie,” a program of wide-ranging performers in concert, including Brian Wilson, David Byrne, Dawn Upshaw, Youssou N’Dour, Caetano Veloso, Emmylou Harris and others. Before going to NPR, Fred was Music Director and Director of Cultural Programming at WNYC in New York, host of a live daily performance and interview program on WNYC, and for 10 years, a host at Oregon Public Broadcasting.

For several years, Fred’s pre-concert talks were a popular feature for the Washington Performing Arts Society, in Washington D.C., and for the Baltimore Symphony. He has given concert talks for Lincoln Center, the Aspen Festival, Summerfest La Jolla and many other venues across the country.

In recent years, Fred has hosted a series of unique live national concert broadcasts, including the Los Angeles Philharmonic from Walt Disney Hall, the Last Night of the Proms from the Royal Albert Hall in London, New Year’s concerts by the New York Philharmonic, the Boston Symphony at their summer home of Tanglewood, the ground-breaking “Spring for Music” concerts from Carnegie Hall, and the “Americana” series for the BBC National Orchestra of Wales from Hoddinott Hall in Cardiff.

Fred’s music reviews have appeared on NPR’s All Things Considered, and his music reports have appeared on NPR’s Morning Edition and Weekend Edition. He’s been a contributor to Billboard magazine, and a concert host and commentator for BBC Radio 3.

While growing up in Portland, Ore., Fred studied classical piano. He also dabbles in guitar, percussion and bagpipes. His percussion band opened for the Grateful Dead at the Oakland Coliseum. He has narrated works at the Aspen Festival, with the Virginia Symphony, with the U.S. Marine Band and at the Round Top Festival-Institute. His rare musical performances in public include percussion with guitarist Sharon Isbin, and piano four-hands duets with Andre-Michel Schub. He appears as an actor in a video commissioned for the Partita for Solo Violin by Philip Glass.

Fred loves baseball (throws right, bats left) and soccer (he’s a fan of North London’s Tottenham Hotspur), and is an avid hiker, climber, skier, cyclist, and a licensed private pilot and certified scuba diver.

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