December 11, 2018 2018-11-13T16:27:47+00:00

December 11, 2018

Jason Vieaux, guitar

Julien Labro, accordion & accordina

The intoxicating rhythms and melodies of South America and Eastern Europe are brought to life by Grammy-winning guitarist Jason Vieaux and French-born bandoneón player Julien Labro.

Program
PART Fratres
GNATTALI Suite Retratos
METHENY Antonia
PIAZZOLLA Escualo
GNATTALI Suite Retratos 

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Jason Vieaux, guitar

Grammy-winner Jason Vieaux, “among the elite of today’s classical guitarists” (Gramophone), is the guitarist that goes beyond the classical. NPR describes Vieaux as, “perhaps the most precise and soulful classical guitarist of his generation.” His most recent solo album, Play, won the 2015 Grammy Award for Best Classical Instrumental Solo.

Vieaux has earned a reputation for putting his expressiveness and virtuosity at the service of a remarkably wide range of music, and his schedule of performing, teaching, and recording commitments is distinguished throughout the U.S. and abroad.

Recent highlights include performances at Caramoor Festival as Artist-in-Residence, Chamber Music Society of Lincoln Center, Philadelphia Chamber Music Society, Buenos Aires’ Teatro Colon, Amsterdam’s Concertgebouw, New York’s 92Y, and Ravinia Festival. He collaborates in recitals this season with Escher Quartet; Grammy-winning mezzo-soprano Sasha Cooke; violinists Anne Akiko Meyers, Kristin Lee, and Tessa Lark; acclaimed harpist Yolanda Kondonassis; and will tour the US with accordion/bandoneon virtuoso Julien Labro. Vieaux’s passion for new music has fostered premieres of works by Avner Dorman, Dan Visconti, Vivian Fung, Keith Fitch, Kinan Abou-Afach, David Ludwig, Jerod Tate, Eric Sessler, José Luis Merlin, Jeff Beal, Gary Schocker, and more. He has performed as concerto soloist with over 100 orchestras, including Cleveland, Houston, Toronto, San Diego, Fort Worth, Buffalo, Arkansas, Edmonton, Illinois, Richmond, Fort Wayne, IRIS Orchestra, Chamber Orchestra of Philadelphia, and Orchestra of St. Luke’s.

Vieaux continues to bring important repertoire alive in the recording studio as well. Vieaux has upcoming releases on Azica, BIS, and Naxos, and recent recordings include Infusion(Azica) with accordionist/bandoneonist Julien Labro; Ginastera’s Guitar Sonata, which is featured on Ginastera: One Hundred (Oberlin Music) produced by harpist Yolanda Kondonassis; and Together (Azica), a duo album with Kondonassis. In addition to his Grammy-winning 2015 solo release Play, his previous albums include a recording of Astor Piazzolla’s music with Julien Labro and A Far Cry Chamber Orchestra, Bach: Works for Lute, Vol. 1, Images of Metheny, and Sevilla: The Music of Isaac Albeniz. Vieaux was the first classical musician to be featured on NPR’s popular “Tiny Desk” series.

In 2012, the Jason Vieaux School of Classical Guitar was launched with ArtistWorks Inc., an unprecedented technological interface that provides one-on-one online study with Vieaux for guitar students around the world. In 2011, he co-founded the guitar department at the Curtis Institute of Music, and in 2015 was invited to inaugurate the guitar program at the Eastern Music Festival. Vieaux has taught at the Cleveland Institute of Music since 1997, heading the guitar department since 2001.

Vieaux is affiliated with Philadelphia’s Astral Artists. In 1992 he was awarded the prestigious GFA International Guitar Competition First Prize, the event’s youngest winner ever. He is also honored with a Naumburg Foundation top prize, a Cleveland Institute of Music Alumni Achievement Award, and a Salon di Virtuosi Career Grant.

Jason Vieaux is represented by Jonathan Wentworth Associates, Ltd and plays a 2013 Gernot Wagner guitar with Augustine strings.

Julien Labro, bandoneón

Heralded as “the next accordion star” by Howard Reich of the Chicago Tribune, French-born Julien Labro has established himself as one of the foremost accordion and bandoneón players in the classical and jazz genres. Deemed to be “a triple threat: brilliant technician, poetic melodist and cunning arranger,” his artistry, virtuosity, and creativity as a musician, composer and arranger have earned him international acclaim and continue to astonish audiences worldwide.

His latest recordings, From this Point Forward (2014), Infusion (2016) and Rise and Grind (2017) all feature original compositions and arrangements by Labro, and have been lauded by critics as innovative and genre-bending. Labro has released over 10 albums under projects that he has led, and guested on recordings for artists such as Cassandra Wilson, Frank Vignola and more.

Labro’s musical journey has taken him all across North America, Europe, the Middle East and South America. His long list of classical collaborations include A Far Cry, Spektral Quartet, Detroit Symphony Orchestra, Orchestra of St Luke’s, the Qatar Philharmonic Orchestra, Pulitzer prize winning composer Du Yun, Bryce Dessner, Avner Dorman and many more. Labro’s jazz projects include the Julien Labro Quartet, Hot Club of Detroit, and collaborations with Grammy award winning composer Maria Schneider, Brazilian pianist João Donato, Argentinean Grammy winning composer and pianist Fernando Otero, clarinetist Anat Cohen, Lebanese oud master Marcel Khalife, saxophonists Paquito D’Rivera, Miguel Zenón, James Carter, and Jon Irabagon, and guitarists Larry Coryell, Tommy Emmanuel, and John and Bucky Pizzarelli.

After a busy summer zigzagging all across the US and South Korea at chamber music and jazz festivals including the Newport Jazz Festival for the second year in a row, Labro will open the 2018 season collaborating with artists such as Paquito D’Rivera, Emilio Solla and Cristina Pato.

Late October, Labro will embark on a tour of his latest project: Julien Labro & the Chanson Experiment before making his debut with the prestigious New World Symphony where he will be playing the music of Astor Piazzolla. Other highlights of the season include performances with the Hartford Symphony, the Cleveland Ballet and performing & curating the Gypsy Jazz segment of 29th edition of the Berks Jazz Festival.

In his free time, Labro is working on composing a new bandoneón concerto that will be a sequel to his accordion concerto Apricity. To learn more about Labro, visit www.julienlabro.com.

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