December 12, 2017 2017-06-17T18:39:25+00:00

December 12, 2017

Philip Setzer*, violin

Edward Arron⁺, cello

Gloria Chien, piano

Sponsored by Pinnacle Financial Partners

Works by Schubert & Tchaikovsky

*Founding Violinist, Emerson String Quartet

⁺Artistic Director, Musical Masterworks, “Edward Arron and Friends” at Caramoor & Performing Artists in Residence at the Clark Art Institute

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Philip Setzer, violin

Violinist Philip Setzer, a founding member of the Emerson String Quartet, was born in Cleveland, Ohio, and began studying violin at the age of five with his parents, both former violinists in the Cleveland Orchestra. He continued his studies with Josef Gingold and Rafael Druian, and later at the Juilliard School with Oscar Shumsky. In 1967, Mr. Setzer won second prize at the Marjorie Merriweather Post Competition in Washington, DC, and in 1976 received a Bronze Medal at the Queen Elisabeth International Competition in Brussels. He has appeared with the National Symphony, Aspen Chamber Symphony (David Robertson, conductor), Memphis Symphony (Michael Stern), New Mexico and Puerto Rico Symphonies (Guillermo Figueroa), Omaha and Anchorage Symphonies (David Loebel) and on several occasions with the Cleveland Orchestra (Louis Lane). He has also participated in the Marlboro Music Festival. Mr. Setzer has been a regular faculty member of the Isaac Stern Chamber Music Workshops at Carnegie Hall and the Jerusalem Music Center. His article about those workshops appeared in The New York Times on the occasion of Isaac Stern’s 80th birthday celebration. He also teaches as Professor of Violin and Chamber Music at SUNY Stony Brook and has given master classes at schools around the world, including The Curtis Institute, London’s Royal Academy of Music, The San Francisco Conservatory, UCLA, The Cleveland Institute of Music and The Mannes School. Mr. Setzer is also the Director of the Shouse Institute, the teaching division of the Great Lakes Chamber Music Festival in Detroit. The Noise of Time, a groundbreaking theater collaboration between the Emerson Quartet and Simon McBurney–about the life of Shostakovich–was based on an original idea of Mr. Setzer’s. In April of 1989, Mr. Setzer premiered Paul Epstein’s Matinee Concerto. This piece, dedicated to and written for Mr. Setzer, has since been performed by him in Hartford, New York, Cleveland, Boston and Aspen. Recently, Mr. Setzer has also been touring and recording the piano trios of Schubert, Mendelssohn and Dvorak with David Finckel and Wu Han.

Edward Arron, cello

Cellist Edward Arron has garnered recognition worldwide for his elegant musicianship, impassioned performances, and creative programming. A native of Cincinnati, Ohio, Mr. Arron made his New York recital debut in 2000 at the Metropolitan Museum of Art. Since that time, he has appeared in recital, as a soloist with major orchestras, and as a chamber musician throughout North America, Europe and Asia.

In 2013, Mr. Arron completed a ten-year residency as the artistic director of the critically acclaimed Metropolitan Museum Artists in Concert, a chamber music series created in 2003 to celebrate the 50th anniversary of the Museum’s prestigious Concerts and Lectures series. Currently, he is the artistic director, host, and resident performer of the Musical Masterworks concert series in Old Lyme, Connecticut, as well as the Festival Series in Beaufort, South Carolina and Chamber Music on Main at the Columbia Museum in Columbia, SC. Additionally, Mr. Arron curates a series, “Edward Arron and Friends,” at the Caramoor International Music Festival, and is the co-artistic director along with his wife, pianist Jeewon Park, of the new Performing Artists in Residence series at the Clark Art Institute in Williamstown, Massachusetts. With violinists James Ehnes and Amy Schwartz Moretti, and violist Richard O’Neill, Mr. Arron tours as a member of the renowned Ehnes Quartet.

Mr. Arron has performed numerous times at Carnegie’s Weill and Zankel Halls, Lincoln Center’s Alice Tully and Avery Fisher Halls, New York’s Town Hall, and the 92nd Street Y, and is a frequent performer at Bargemusic. Festival appearances include Ravinia, Salzburg, Mostly Mozart, Bravo! Vail, Tanglewood, Bridgehampton, Spoleto USA, Santa Fe, Seattle Chamber Music, Kuhmo (Finland), PyeongChang, Charlottesville, Telluride Musicfest, Seoul Spring, Lake Champlain Chamber Music, Chesapeake Chamber Music, and Bard Music Festival. He has participated in Yo-Yo Ma’s Silk Road Project as well as Isaac Stern’s Jerusalem Chamber Music Encounters.

Edward Arron began playing the cello at age seven in Cincinnati and continued his studies in New York with Peter Wiley. He is a graduate of the Juilliard School, where he was a student of Harvey Shapiro. In 2016, Mr. Arron joined the faculty at University of Massachusetts Amherst, after having served on the faculty of New York University from 2009 to 2016.

Artistic Director Gloria Chien

Gloria Chien, piano

Pianist Gloria Chien has emerged in recent years as one of America’s finest young chamber musicians. Her spectacular gifts of musicianship lend themselves brilliantly to the art of collaboration. In an interview for a local newspaper, Gloria is quoted as saying: “Musicians are trained as soloists. You spend a lot of time alone in your practice room honing your skills. But when I started to play chamber music, I felt liberated. It took the attention away from me and allowed me to start creating something with other musicians.” She first made a name for herself in Boston as a graduate student at New England Conservatory, becoming the resident pianist with the Chameleon Arts Ensemble of Boston in 2000. The group is well known for its versatility and commitment to new music, and Gloria is still part of the ensemble. Boston Herald praised her for “…[playing] phenomenally.” Her CD with violinist, Joanna Kurkowicz, featuring music of Grazyna Bacewicz was released on Chandos Records. The International Record Review wrote, “[the violinist] could ask for no more sensitive or supportive a pianist than Gloria Chien.” The Strad praised her for “super performances…accompanied with great character.”

Chien has participated in such festivals as Music Academy of the West, Verbier Music Festival, Bay Chamber Concerts, and Chamber Music Northwest. She has participated for ten years at Music@Menlo, where she was appointed Director of the Chamber Music Institute in 2010 by Artistic Directors, David Finckel and Wu Han.  Following a recent performance, Richard Sheinin wrote, “She is a coat-of-many-colors pianist: finely blended sound tapestries emerged from her instrument at Sunday’s “Carte Blanche” recital.

In 2011 Gloria was chosen to join the roster of the Chamber Music Society Two of Lincoln Center.  She debuts in October 2012 as a member of CMS2 in New York’s Alice Tully Hall. Her recent performances include collaborations with the St. Lawrence, Miro, Borromeo, Daedalus and Jupiter String Quartets, David Shifrin, Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, Cho-Liang Lin, Ani Kavafian, Ida Kavafian, Wu Han, Rob Kapilow, Paul Neubauer, Roberto Diaz, Andres Diaz, Sharon Robinson, James Ehnes, Nai-Yuan Hu, Bion Tsang, Soovin Kim, Carolin Widmann, Edward Arron and Anthony McGill.

Gloria began playing the piano at the age of five in her native Taiwan. After moving to Boston, she made her orchestral debut at 16 with the Boston Symphony Orchestra. She has appeared as a soloist under the batons of Sergiu Comissiona, Keith Lockhart, Thomas Dausgaard, Irwin Hoffman, Benjamin Zander, and Robert Bernhardt. She is a prize winner of the World Piano Competition, Harvard Musical Association Award, as well as the San Antonio International Piano Competition, where she also received the prize for the Best Performance of the Commissioned Work. Gloria has presented solo recitals at the Isabella Stewart Gardner Museum, Harvard Musical Association, Sanibel Musical Festival, Caramoor Musical Festival, Salle Cortot in Paris, and the National Concert Hall in Taiwan.

Richard Dyer, well-known Boston music critic praised her for “a wondrously rich palette of colors, which she mixes with dashing bravado and with an uncanny precision of calibration…Chien’s performance had it all, and it was fabulous.” Gloria holds a doctor of musical arts, a master’s and an undergraduate degree from the New England Conservatory of Music in Boston where her teachers have included Russell Sherman and Wha-Kyung Byun. To add to her accolades, Gloria is a Steinway Artist.

Chattanooga area residents enjoy Gloria’s gifts as pianist, as well as a chamber music advocate, beginning the seventh season as Artistic Director of String Theory. Dr. Chien is the founding Director of the Series, performing at the Hunter Museum of American Art in downtown Chattanooga in partnership with Lee University in nearby Cleveland where she is a tenured Artist-In-Residence.

gloriachien.com

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